Saricks’ Appeal Factors in Historical Fiction

Frame/Setting: The setting can be the most important and unique aspect of historical fiction, rich in details to anchor it in time and place. Descriptions of physical setting and geography, historic events, and social culture and customs can be part of the appeal, along with well-researched facts about historical events. Ideally, in the best historical fiction, facts blend seamlessly into the story. Saricks emphasizes accuracy of historical detail as part of the appeal, but questions of authenticity and accuracy get slippery in historical fiction.

Tone and Mood: Tone and mood can vary immensely across the wide scope of historical fiction time periods and stories, even incorporating appeal elements from other genres. The mood the reader happens to be in is also part of the picture. What this appeal factor doesn’t necessarily map out is more about the emotional affect of reading historical fiction, of connecting to the past through narrative. But more on that later.

Story Line: Generally, will either hinge on a specific historical event or time, and its effect on characters (emphasizing the details of the historical event, rather than its impact on characters’ lives), or might follow characters through a period of time (emphasizing character, through their actions and relationships, with the historical frame as a backdrop).

Catherine, Called Birdy, Cover Image from GoodReads

A number of articles pointing out anachronism in YA historical fiction mention Catherine, Called Birdy.

Characterization: According to Saricks, the ideal historical fiction character “must fit within the times. Glaring inaccuracies of language, behavior or straight-forward fact distract, and sometimes cause the reader to distrust the author’s research.” (Saricks,  page 96) There is room for debate about this statement, with regard to both adult and YA historical fiction and its appeal. Especially regarding female characters.

Katherine Paterson famously said “The characters in history we remember are those who kicked against the walls of their societies.” For engaging, interesting characters, readers are willing to excuse a certain amount of anachronism.  Outspoken, defiant characters who rebel against the social order, even characters learning to read, would be aberrations, not encouraged or accepted. And yet, for characters to grow and change, or be brave enough to have adventures, there’s a certain amount of letting historical accuracy relax a little, in the service of a good story that will engage the reader.

But more on that later.

Pacing: According to Saricks, “historical novels are usually longer books,  (almost always more than three hundred pages), and they are not generally referred to as fast-paced, even if they include Adventure elements…. creating the detailed background often makes the books slow starting.” (Saricks, p 297.) That makes historical fiction sound plodding and not like a fun and engrossing popular read. But it gets better… as the characters and their world get more familiar, the action picks up, getting the reader immersed and enthralled by strong characters, and the chance to get close to history.

Style and Language: Each author, and each time period, is probably going to navigate the balance of language and style differently. Some authors construct language closer to what could have come from the past, sometimes even including a glossary of terms to help the reader visualize the details of a past that might seem alien and remote. Some authors choose more contemporary language, relying on description and a few subtle touches to set the time period apart.

Saricks’ appeal factors are all well and good, but they leave out some of the ways teens can connect to historical fiction.


1 Comment

Filed under Historical Fiction as a Genre, Reference

One response to “Saricks’ Appeal Factors in Historical Fiction

  1. Pingback: The Appeal of Young Adult Historical Fiction… in particular | Books Back In Time

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